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English literature --- Thematology --- anno 1500-1799 --- Literature and history --- Imperialism in literature. --- Colonies in literature. --- Utopias in literature. --- History and criticism. --- History --- American influences. --- America --- Discovery and exploration --- English. --- In literature. --- Colonies in literature --- -English literature --- -Imperialism in literature --- -Literature and history --- -Utopias in literature --- Explorers in literature --- Geographical discoveries in literature --- Discoveries in geography --- Utopian literature --- History and literature --- History and poetry --- Poetry and history --- British literature --- Inklings (Group of writers) --- Nonsense Club (Group of writers) --- Order of the Fancy (Group of writers) --- American influences --- History and criticism --- -History --- -Americas --- Americas --- New World --- Western Hemisphere --- -English. --- Imperialism in literature --- Utopias in literature --- British.
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Church and state in literature --- Eglise et Etat dans la littérature --- Kerk en Staat in de literatuur --- Nationalism in literature --- Nationalisme dans la littérature --- Nationalisme in de literatuur --- Church and state in literature. --- Church and state --- English drama --- Nationalism and literature --- Nationalism in literature. --- Religion in literature. --- Theater --- History --- History and criticism. --- History. --- Religious aspects --- Christianity. --- Early modern, 1500-1700 --- History and criticism --- England --- 16th century --- 17th century --- Shakespeare, William --- Religion --- Christianity
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English literature --- Literature and history --- Geographical discoveries in literature. --- Imperialism in literature. --- Colonies in literature --- Utopias in literature. --- Explorers in literature. --- History and criticism. --- History --- American influences. --- America --- Discovery and exploration --- English. --- In literature. --- Utopian literature --- Discoveries in geography --- Americas --- New World --- Western Hemisphere
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"Shakespeare's plays were immensely popular in their own day -- so why do we refuse to think of them as mass entertainment? In Pleasing Everyone, Jeffrey Knapp opens our eyes to the uncanny resemblance between Renaissance drama and the incontrovertibly mass medium of Golden-Age Hollywood cinema. Through fascinating explorations of such famous plays as Hamlet, The Roaring Girl, and The Alchemist, and such celebrated films as Citizen Kane, The Jazz Singer, and City Lights, Knapp challenges some of our most basic assumptions about the relationship between art and mass audiences. Above all, Knapp encourages us to resist the prejudice that mass entertainment necessarily simplifies and cheapens whatever it touches. As Knapp shows, it was instead the ceaseless pressure to please everyone that helped generate the astonishing richness and complexity of Renaissance drama as well as of Hollywood film"--
ART / Film & Video. --- PERFORMING ARTS / Film & Video / History & Criticism. --- LITERARY CRITICISM / Shakespeare. --- Theater --- Theater and society --- Motion pictures --- Théâtre --- Cinéma --- History --- Social aspects --- Histoire --- Aspect social --- Théâtre et société --- Théâtre --- Théâtre et société --- Cinéma --- Actors --- Society and theater --- Social status
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English drama --- History and criticism. --- Shakespeare, William, --- Authorship. --- Criticism and interpretation.
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